In 2001, Newland produced three animated films by two other directors Friday Night Idiot Box by Bruce Wilson, and Explodium and My Friend Max by Peter MacAdams. Newland also created story boards for the Montreal and Vancouver studios of the National Film Board of Canada (1999–2000). This work includes directing episodes of the 3D stop motion series, The PJ's, for Will Vinton Studios in Portland, Oregon The Preacher's Life (1999) Fear of a Black Rat (1999) and Let's Get Ready to Rumba (2001). Outside of Rocketship, Newland has freelanced for other animation companies. Rocketship also produced TV commercials, promos, and network IDs for clients like MTV, YTV, Nickelodeon, Nick Jr., the Children's Television Workshop, Lifetime, HA! TV Comedy Network, TV Heaven 41, MuchMusic, and Locomotion, pilots for series, and two longer films: Gary Larson's Tales From the Far Side (1994), which won the Grand Prix at the Annecy International Animation Festival in 1996, and a sequel in 1996. Newland also designed and directed the National Film Board of Canada vignette, Bill Miner (1978). The company also produced short animated films for other directors such as Danny Antonucci ( Lupo the Butcher, 1987), and J. In 1979, Marv hired Gordon Stanfield Animation (GSA) and later, Gordon went on to bring more animation to Vancouver, British Columbia. At Rocketship he produced and directed numerous animated short films, including: Sing Beast Sing (1980), Anijam (1984), Hooray for Sandbox Land (1985), Black Hula (1988 - which later featured on an early episode of Liquid Television), Pink Komkommer (1991), and Fuv (1999) Beijing Flipbook (2003), Tete A Tete A Tete (2005), Postalolio (2008), CMYK (2010), Scratchy (2016), Katalog Of Flaws (2019). In 1975, Newland founded the animated film production company International Rocketship Limited in Vancouver, British Columbia. The pairing was created by Randy Finley in Seattle with Specialty Films who distributed the package under the title "The King of Hearts and His Loyal Short Subjects". In 1973, Bambi Meets Godzilla was seen widely across the United States when it was paired with John Magnuson's Thank You Mask Man to be shown along with screenings of Philippe de Broca's feature film King of Hearts. In 1973, Newland created storyboards for the animated television series Barbapapa while at Toonder Studios in the Netherlands. He spent two years freelancing for local animated film production companies, as well as animation companies in Chicago and Los Angeles. In late 1972, Newland moved to Vancouver, British Columbia, Canada. He was a storyboard designer on an unemployment insurance film at Crawley Films in Ottawa, and created designs and layouts for TV commercials for Phos-Cine Productions in New York. Newland was also one of two designers and storyboard artists on the Cinera Productions cartoon Super Joe (1971). While in Toronto (1970–1972), he designed, directed, and animated television commercials for Sesame Street and Educational Television, and segments for longer films. He then designed and animated television commercials until late 1970 when he moved to Toronto, Ontario, Canada. Newland began a career making animated motion pictures in Los Angeles with the creation of the short Bambi Meets Godzilla (1969). Marv Newland (March 9, 1947) is an American-Canadian filmmaker, specialized in animation. JSTOR ( February 2013) ( Learn how and when to remove this template message). Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. This biography of a living person needs additional citations for verification.
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